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Originally published on SoundStage! Xperience

“Schiit happens.” It’s not the sort of language usually found in an owner’s manual for a headphone amplifier like Schiit Audio’s Jotunheim ($399 USD). No, an owner’s manual is usually full of bland marketing copy, loosened rules of grammar, regulatory warnings, and stultifying technical detail. I almost never use them, and unless you’re a novice audiophile, neither should you. The folks at Schiit seem to agree. In the preface to their safety instructions, they state: “The following is required by the roughly 9,542 government agencies and regulations we have to comply with. If you have some common sense, they should seem pretty straightforward.” Who are these guys? I did some digging.

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Originally published on SoundStage! Xperience

Compact, portable DACs that plug into a laptop’s USB port, extract up to 24-bit/96kHz digital audio using the jitter-eliminating asynchronous protocol, and provide amplified output for headphones and line-level output for preamps, are common enough these days. But in 2012, when AudioQuest introduced its first DragonFly DAC, the concept turned heads. The most attention-grabbing element was no doubt that the DragonFly was the size and shape of a USB memory stick. That such tiny hardware could make possible the playback of high-resolution audio through headphones -- not to mention a high-end audio system -- seemed nothing short of amazing.

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Originally published on SoundStage! Xperience

As anyone who has recently visited an Apple Store can tell you, iPhone protection is big business -- a high-quality phone case can easily cost $50 to $70. Another big iPhone-related business is headphones -- something that an iPhone owner checking out the Bose, Beats, or B&W options at that same Apple store can readily confirm. The argument in favor of a good case is easy to make -- fixing a broken iPhone can be startlingly expensive (yet another iPhone-related business). But what good, ultimately, are pricey headphones if the sound delivered by your iPhone’s headphone output is, at best, mediocre?

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Originally published on SoundStage! Xperience

Quebec’s Simaudio has been designing and manufacturing audio electronics for the past 35 years. The company began with preamplifiers and power amplifiers, and later, following the demands of the market, added CD players and standalone digital-to-analog converters (DACs). More recently, Simaudio has launched a series of components incorporating their Moon intelligent Network Device (MiND) platform, which enables streaming audio from your computer, network-attached storage (NAS) device, or the Internet. It should come as no surprise, then, that Simaudio has brought their electronics-design experience to the thriving market of headphone audio -- with first their flagship 430HA fully balanced headphone amplifier ($3500 USD; add $800 for DAC option), and now the subject of this review, the more modestly priced Moon Neo 230HAD ($1500 including DAC).

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Originally published on SoundStage! Xperience

Reviewers' ChoiceI think I like reviewing headphones and mobile audio gear more than I do full-size hi-fi components. The thrill of unboxing a new set of speakers retreats pretty quickly once the outriggers are hooked up, minute adjustments are made to toe-in angles, and the speaker cables are attached. But you live with a pair of headphones. You touch them, grab them, adjust them, and, most important, wear them -- they’re almost as much a fashion accessory as a watch or a pair of eyeglasses. Top-quality appearance and sound are necessary but not sufficient. The quality, durability, and comfort of the materials, the feel of the controls, become much more meaningful when they’re part of a device you physically interact with multiple times a day. A loudspeaker merely shouts at you from a distance.

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Originally published on SoundStage! Xperience

Reviewers' ChoiceIn a recent column, I complained about the rapid growth in the number of lookalike headphone amps that are little more than a DAC-amp chip stuffed into an extruded-aluminum box. The Aurender Flow ($1295 USD) is the exact opposite: a product that represents a major rethinking of what people -- specifically, audiophiles -- need in a headphone amp.

I’m writing this review on a sleek, highly portable Hewlett-Packard Spectre laptop equipped with a modestly sized solid-state drive (SSD) that makes me wish I’d spent the money on a bigger drive. Despite my efforts to move my storage-intensive audio and video files to an external drive, my SSD has just 2.2 gigabytes of space left. Yet thanks to the Flow, I can now use this overstuffed computer to access my entire collection of digital music files, and I can add more music without worrying I’ll run out of space.

SoundStage! InSight - Audio Research Reference 160M Amplifier (February 2019)

SoundStage! InSight - Audio Research Past, Present, and Future (October 2018)

SoundStage! InSight - Simaudio Moon 390 Digital/Analog Preamplifier and Streamer (September 2018)

Latest Comments

Brent Butterworth 2 hours ago KLH Ultimate One Headphones
@MarchOh, gosh, way too many headphones ago! I wouldn't trust my memory on that. Best ...
March 20 hours ago KLH Ultimate One Headphones
Someone pointed out over in another forum that David Kelly, formerly of Klipsch, was involved ...
@Brent ButterworthI look forward to your comments. If I were at my undergrad days now (instead ...
@Paul Good point! I think it would probably be good because the Dirac sounds sort of ...
This the most informative review of this amp I’ve seen so far (many don’t bother ...
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