Sound:
Value:
(Read about our ratings)
Measurements can be found by clicking this link.
I’ll be honest: sometimes I request products for review for the same reason a lot of people watch auto races -- with the expectation that I might see something crash and burn. Impressed as I was with the Atlantic Technology FS-HAL1 earphones, the announcement of Atlantic’s FS-HR280s -- a dual-driver, over-ear headphone design -- raised a zillion doubts in my mind. Although dual-driver over-ears were common back in the 1970s, every one of the dual-driver models I tried for my 2012 “survey” of vintage headphones was literally worse than any modern headphones I can think of (the JustBeats Solo perhaps excepted). Could a company that got into the headphone biz only a few months ago actually make a dual-driver design work?
Sound:
Value:
(Read about our ratings)
Measurements can be found by clicking this link.
I’d kind of sworn off reviewing Monoprice products on SoundStage! Solo for a while, because I’ve reviewed so many lately -- three headphones, one set of earphones, and two headphone amps. It’s been hard to resist because the company just keeps upping the ante, getting into pricier models and embracing advanced technologies at a staggering rate. And when I recently had the chance to hear four new models, and run some quick measurements of them, I found one that I just couldn’t resist reviewing -- the Monoprice Monolith M1570 headphones ($599.99, all prices USD).
Sound:
Value:
(Read about our ratings)
Measurements can be found by clicking this link.
Over the last decade, Dan Clark Audio (formerly MrSpeakers) has grown from a company that sold modded Fostex products to one of the most respected names in high-end headphones. But when I interviewed Clark for my March column, I realized I hadn’t reviewed any of his headphones since the Mad Dog Alphas, a Fostex-based model from 2012. I decided to correct that oversight by checking out the Æon Flow 2 Closed headphones ($899.99, all prices USD), a recent model to which an interesting new option has just been added.
Sound:
Value:
(Read about our ratings)
Measurements can be found by clicking this link.
A headphone enthusiast would likely pose a couple of questions when first confronting the Andover Audio PM-50s: Who’s Andover Audio? And what do they know about headphones? To answer the first question, it’s a Boston-area company founded by ex-Cambridge SoundWorks employees. Cambridge SoundWorks was a hyper-innovative speaker company founded in the mid-1980s by the legendary audio pioneer Henry Kloss. (Nowadays it’s a brand applied mostly to inexpensive Bluetooth speakers.) Andover Audio makes only a few products, and they’re rather idiosyncratic -- such as a sound system that slips under a turntable -- and the company continues the classic, quasi-Scandinavian styling of Kloss’s best-loved products.
Sound:
Value:
(Read about our ratings)
Measurements can be found by clicking this link.
From the Meze Empyreans to the AKG K371s, I’ve found a few sets of headphones that inspired no significant complaints from me. But I’ve never found a set of noise-canceling headphones I couldn’t complain about. Either the noise canceling was weak, or they exhibited too much eardrum suck, or they didn’t sound particularly good, or they were too bulky for travel. But there’s always hope! This month, it comes in the form of the Marshall Monitor II A.N.C. headphones ($319.99, all prices USD).
Sound:
Value:
(Read about our ratings)
Measurements can be found by clicking this link.
The Drop + THX Pandas are radically different from any other headphones I’ve ever reviewed. According to Drop, while the company’s worked for five years with numerous brands to create headphones tailored to the desires of Drop’s audiophile community, the Pandas ($399.99 USD) are the first headphones whose design is based entirely on suggestions from the community. So in theory, at least, they represent not some company’s idea of what audiophiles want, but precisely what audiophiles want.
SoundStage! Solo is part of
All contents available on this website are copyrighted by SoundStage!® and Schneider Publishing Inc., unless otherwise noted. All rights reserved.
This site was designed by Karen Fanas and the SoundStage! team.
To contact us, please e-mail info@soundstagenetwork.com
Having an account with us and logging in allows you to participate in our comments sections at the bottom of each article and review. It costs you nothing. The reason we want you to have this account is simply because we don't want some anonymous yahoos posting nonsense and messing meaningful conversations up. Having an identity usually brings rationality and civility. Thank you!