Let’s start with the obvious: if you fly a lot, you should get some noise-canceling headphones. I’ll include trains and buses, too, since they can also be loud. NC headphones, the good ones anyway, can reduce that incessant droning that makes travel so tiresome. I never travel without them, but the style I travel with might surprise you. Personally, I prefer in-ear NC earphones. I’ve met countless frequent travelers who think I’m crazy. They also think this earphone preference is wild, as they’d never leave the house without some big, comfy over-ear headphones.
The worst thing to happen to me while traveling was getting robbed on a night train in Italy.
Don’t be alarmed. I am not Brent. Don’t worry. He’s fine, but he has stepped down from SoundStage! Solo. You’ll still see his byline once in a while, though. He, along with founder Doug Schneider and Editor in Chief Jeff Fritz, have decided to hand the reins over to me. A decision steeped in genius. Or folly. Bit of both? We shall see.
I’m sad to say this will be my last column for SoundStage! Solo. I’ve accepted a full-time staff position at the consumer-review site Wirecutter (for whom I’ve worked part-time for several years), and won’t be able to do any audio-related freelance work going forward. If everything goes as scheduled, my last review will post on January 20, and my last measurements sometime in February.
Numerous as misunderstandings are in the world of audio, I’d guess that in consumer audio, there’s nothing more misunderstood than the amplifier. I think that’s because many audio aficionados base their understanding of amps less on technical knowledge than on what they’ve read in subjective reviews, where writers—almost none of whom possess substantial knowledge of amp design—are typically encouraged to sling exaggerated, exotic adjectives to make what’s often a rather generic product sound like a transformative experience.
As I reported last month, the number of target curves for headphone and earphone response is growing. Honestly, I’m a bit dismissive of some of these curves. I’m fine with it if people like them, but based on my decades of communication with readers, I’m skeptical of the idea that any target response is a surefire prescription for listener satisfaction—although they certainly can serve as reference standards against which other models can be compared.
SoundStage! Solo is part of
All contents available on this website are copyrighted by SoundStage!® and Schneider Publishing Inc., unless otherwise noted. All rights reserved.
This site was designed by Karen Fanas and the SoundStage! team.
To contact us, please e-mail info@soundstagenetwork.com
Having an account with us and logging in allows you to participate in our comments sections at the bottom of each article and review. It costs you nothing. The reason we want you to have this account is simply because we don't want some anonymous yahoos posting nonsense and messing meaningful conversations up. Having an identity usually brings rationality and civility. Thank you!