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Originally published on SoundStage! Xperience

Klipsch Reference X20i measurements can be found by clicking this link.

When non-audiophiles see something like Klipsch’s new Reference X20i earphones priced above $500 USD, they’ve got to wonder how something so tiny could be worth so much. For that price, you can buy a TV or a digital SLR camera -- something that looks as if it costs $500. But the X20i’s don’t appear to be substantially different from Klipsch’s R6 earphones, which cost only $79. What makes them worth $549 -- nearly seven times as much?

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Originally published on SoundStage! Xperience

RBH Sound EP3 measurements can be found by clicking this link.

December 2015

One great thing about the headphone business is that you never know who’s going to rise to the top. RBH Sound, creator of the EP3 earphones reviewed here, is a perfect example. It’s a medium-profile audio manufacturer that never, to my knowledge, strayed outside its specialty -- loudspeakers -- until a couple of years ago, when it came out with its first earphones, the EP1s. The EP1s were voiced by RBH technical director Shane Rich, a talented speaker designer with no previous experience in headphone design. Although they looked rather generic and had no particularly marketable features or design tweaks, the EP1s won numerous rave reviews, and beat out dozens of big-name competitors in a multi-listener comparison test I participated in.

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Originally published on SoundStage! Xperience

PSB M4U 4 measurements can be found by clicking this link.

Reviewers' ChoicePSB’s new M4U 4 earphones raise an important question for audio manufacturers: After you’ve achieved near-perfection, where do you go? Before PSB’s founder and chief engineer, Paul Barton, built his first set of headphones, he read all the existing research and did a lot of his own. The result, the M4U 2 over-ear headphones, were indeed close to perfect, according to reviewers. But a manufacturer generally has to offer a complete line of headphones -- and Barton is responsible for designing headphone-related products for two of the audio brands owned by the Lenbrook Group: PSB and NAD. What’s a designer to do? Voice them all the same, so there’s little reason to spend more for the more expensive models? Or make some models sound different from the others?

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Originally published on SoundStage! Xperience

Phiaton MS 100 BA measurements can be found by clicking this link.

The new MS 100 BAs -- Phiaton’s first earphones with balanced-armature drivers -- make me wonder once again why there’s not more controversy or disagreement about balanced armatures. Look at all the stuff audiophiles do disagree about: tubes vs. transistors, the benefits (or lack thereof) of high-resolution audio, whether or not cables make a difference. Well, the audible difference between using balanced-armature and conventional dynamic drivers in earphones is much more significant than the differences you’d hear in any of the pairings just mentioned.

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Originally published on SoundStage! Xperience

Marshall Headphones Mode EQ measurements can be found by clicking this link.

How many new consumer-audio brands have emerged in the last seven years or so? I doubt anyone’s counted, but I bet the number has at least doubled, and perhaps tripled. With so many new marques emerging, the entry of the legendary guitar-amp brand Marshall Amplification into consumer audio didn’t get as much attention as it probably would have 15 years ago. That’s sad, because it deserves better.

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@RagavThanks! Still making a living, so I can't complain. I hope you're well, too.

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