Earphones

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Written by: Brent Butterworth

Created: 10 November 2021

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There’s only one inherent reason why true wireless earphones struggle to sound as good as high-end passive earphones. It’s because most high-end passive earphones use a cable-over-ear design that fits snugly and seals tightly in the ears, as exemplified by numerous models from Shure, JH Audio, 64 Audio, Westone, and other companies. I expect it would be quite a design challenge to squeeze the circuitry and batteries needed for true wireless operation into such a design, but for the Aonic 215 Gen 2 earphones, Shure came up with an alternative: packing the electronics into a separate module that snaps onto each earphone and sits behind the ear.

Read more: Shure Aonic 215 Gen 2 True Wireless Earphones

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Written by: Brent Butterworth

Created: 10 October 2021

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Why did I get so excited when I heard 64 Audio was introducing the Duo earphones? Because they’re one of only a very small number of open-back earphones. I have a long history of disagreeing with many of the principles commonly espoused by audio enthusiasts, but when it comes to open-back headphones, enthusiasts are absolutely right: open-back models simply sound better. They have a more spacious sound, and because the driver’s back wave isn’t captured by a resonant enclosure, they have a negligible amount of bass resonance—and thus flatter, more natural-sounding bass. I guess I shouldn’t generalize, but I can’t think of many exceptions to this rule.

Read more: 64 Audio Duo Earphones

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Written by: Brent Butterworth

Created: 01 September 2021

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Unless manufacturers tell me otherwise, I assume that all the headphones and earphones I review are intended for mainstream listeners and/or audiophiles. Not the Campfire Audio Honeydew earphones, though. They’re marketed as being an “excellent choice for drummers, bassists, DJs, and electronic beat makers.” Their webpage says they have “a reference level bass response that is fast and detailed.”

Read more: Campfire Audio Honeydew Earphones

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Written by: Brent Butterworth

Created: 20 August 2021

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Reviewing the Campfire Audio Satsuma earphones—essentially a new version of the beloved Campfire Comets—gives me a great chance to indulge in a more technical discussion of balanced armatures. Like the Comets, the Satsumas ($199, all prices USD) are basic passive earphones with a single balanced-armature driver per earpiece. Although balanced armatures are sometimes considered to be a magic prescription for high-end sound, it’s much more complicated than that, as I found in my recent interview with engineers from Knowles Electronics.

Read more: Campfire Audio Satsuma Earphones

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Written by: Brent Butterworth

Created: 01 August 2021

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Sometimes we can judge headphones by their brand name. I kind of know what to expect from HiFiMan and Focal, for example. But what should we expect from Sony? The company has created some of the world’s most respected headphones, but it has also created some of the world’s least respected headphones. When I encountered the WF-1000XM4 earphones ($279.99, all prices USD), I figured the noise canceling would be pretty solid—Sony and Bose have been the leaders there for years—but I had no idea what they might sound like.

Read more: Sony WF-1000XM4 True Wireless Earphones