Dedicated to Headphones and Earphones
Earphones
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- Written by Brent Butterworth
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If I made high-end earphones, I’d find the cheapest balanced armatures available and shove as many as I could into each earpiece. So 64 Audio can do 18 drivers per ear? Big deal. For the Butterphones, I’d do at least 24 per ear; watch with barely concealed glee as CanJam showgoers flock to my booth and ignore Jerry Harvey Audio; and then hand out handsomely packaged review samples at a lavish dinner in Irvine, California’s finest high-end chain restaurant, packed in a gift bag including a Buttersound water bottle and 180-gram vinyls from Patricia Barber and Hellhammer.
Read more: Beyerdynamic Xelento Remote 2nd-Generation Earphones
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- Written by Geoffrey Morrison
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You could say that when it comes to headphones, I’m hard to please. Or maybe you could say that I find it easy to disavow any positive feelings toward ear-based hardware. I don’t know why you’d say that, but you could, I guess. What it comes down to is, since I’ve got a steady supply of headphones passing my earholes, it becomes rather easy to dismiss the lesser among them. After all, with so many options, why waste time on something lesser?
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- Written by Geoffrey Morrison
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A million years ago, in the before times, I worked at Circuit City. It was the golden age of Dolby Pro Logic and the dawn of the Dolby Digital era. Receiver manufacturers far and wide had decided, as if in exquisite concord, that what consumers really wanted was sound modes. Hall, Stadium, Big Room, Small Room, Bucket—the list was endless and somehow also growing. Every new model had yet more of these modes; nearly all just added reverb and ridiculous EQ. And yet, customers asked about them. Asked if they should get the genuine Panaphonics with 18 sound modes, or the Sorny with 20. Surely the uber-expensive and “overpriced” Harman Kardons and Onkyos were inferior with their minuscule sound-mode offerings.
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- Written by Geoffrey Morrison
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I’m not much of a sports person. Sort of the opposite of that. Too opposite. I’m pushing maximum density here. But I’m getting better at getting moving. Part of that is traveling, which I do a lot. Well, did a lot. A bit of a break for the last few years for obvious reasons, but I’m back at it. So Geoff, I can’t hear you asking, why are you reviewing earphones that literally have “sport” in the name? Well, dear reader, they’re not just sports earphones, they also have noise canceling. Noise canceling is the bread-and-butter of any tech-savvy traveler. So for that, and for reasons I’ll get into, I’m always on the lookout for well-fitting and comfortable true-wireless earphones. Spoiler: these are those.
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- Written by Brent Butterworth
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I feel bad for the old guard of the headphone biz. They spent decades honing their expertise in acoustical tuning of headphones and earphones, only to find themselves competing with mega-companies that can afford to hire dozens, maybe hundreds, of code-slinging engineers to work their magic through digital signal processing. But Beyerdynamic is definitely not throwing in the towel—the Free Byrd true wireless earphones ($249, all prices USD) are a full-on assault on the Apples, Amazons, Sonys, and Samsungs of the world.
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Periodic Audio makes one of the most unusual lines of earphones in the audio biz. They all look basically the same; what distinguishes them—and provides the names for the products—is the material used in the diaphragms of the dynamic drivers. The company just released the third version of its earphone line, keeping the designations and the basic concepts, but employing a new material for the enclosure of the Mgv3 earphones ($199, all prices USD) and the other models in its line.
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